Daredevil: Born Again | Disney Orders A Total Reboot Because The Series Was Terrible | The USA Print – Global News, Entertainment, Tech, Celebrity Health And Wellness, Global Market – Breaking US News Today

With half of its 18 episodes recorded, the series Daredevil: Born Again It was reviewed by the upper echelons of Marvel, including Chief Creative Officer Kevin Feige, and they realized that the series was terrible. According to reports The Hollywood Reporter, at the end of September Marvel decided to let go of lead writers Chris Ord and Matt Corman. Additionally, it freed up the assigned directors for the remainder of the season, marking a total creative reset for the series.

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Currently, the studio is looking for new talent to write and direct this project, whose protagonist is Charlie Cox, playing Matt Murdock, the blind lawyer who becomes a superhero. This reconfiguration of Daredevil adds to other challenges that Marvel’s television division has faced. From the acclaimed series WandaVision – 95%, released in January 2021, has released more than 50 hours of television content, developing its television division in the midst of the pandemic.

However, his rapid foray into television has had an innovative approach. Instead of producing pilots, Marvel has filmed full seasons with budgets exceeding $150 million. They have dispensed with showrunners, delegating the direction of the series to film executives and resorting to post-production and re-recordings to fine-tune details.

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Despite the popularity of its series on Disney+, Marvel has had to face criticism and creative challenges. According to Brad Winderbaumleader of the streaming, television and animation area at Marvel, seek to merge the essence of Marvel with traditional television production. Daredevil: Born Again It has been a unique challenge, since it is the return of a hero who has already triumphed on Netflix. Sources indicate that Corman and Ord directed the series towards a legal focus, distancing itself from the previous version characterized by its action. Cox’s appearance in his iconic costume didn’t happen until the fourth episode, prompting Marvel to reconsider the direction of the show.

Although changes will be made, Marvel will retain certain scenes and episodes, integrating new serialized elements and promoting Corman and Ord to executive producers on the project. Creative differences are nothing new for Marvel. It has been said that, while television focuses on the scriptwriters, “Marvel follows its own essence”, generating contrasts in productions such as Moon Knight – 87% and She-Hulk: Attorney at Law – 74%.

Faced with these challenges, Marvel is redefining its approach to television production. They have decided to hire showrunners and executives specialized in TV, distancing themselves from dependence on their film executives. The development process is also being reformulated, placing emphasis on pilots and initial scripts.

The shadow of the Netflix series

The great challenge of Daredevil: Born Again is to please Daredevil fans – 93%, the Netflix series that marked a milestone in the way superhero stories are told on television. Released in 2015, this production quickly became one of the most acclaimed in the Marvel universe on the small screen.

The series introduces us to Matt Murdock, played masterfully by Charlie Cox, a blind lawyer who, thanks to his other heightened senses, fights crime in Hell’s Kitchen, New York, at night as the masked vigilante Daredevil. What sets this apart from other superhero series is its dark, realistic tone, enriched by meticulously choreographed action sequences and a narrative deeply rooted in moral and ethical dilemmas.

One of the highlights of the series is its villain, Wilson Fisk, or Kingpin, played by Vincent D’Onofrio. His performance is brilliant, presenting Fisk not only as a formidable antagonist, but also as a complex character with his own motivations and vulnerabilities. The production is also recognized for its excellent sound design and cinematography. The fight scenes, in particular, are memorable, with the first season’s hallway fight being a case in point, demonstrating a combination of technical skill and narrative passion.

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