The Exorcist: Believers | John Carpenter Doesn’t Understand How A Classic Like This Can Be Ruined | The USA Print – Global News, Entertainment, Tech, Celebrity Health And Wellness, Global Market – Breaking US News Today

After a successful trilogy of Halloween sequels – 94% producer Jason Blum and Universal Pictures decided to go for another very famous horror franchise, The Exorcistbut sadly the result was not what neither the producers nor the fans expected, since The Exorcist: Believers – 20% has received negative reviews from critics and the public, and at the box office it has not performed as well as would be expected from a classic like this. John Carpenter, director of the first film Halloweenwho was positively surprised by David Gordon Green’s trilogy, is now surprised in the opposite direction by The Exorcist: Believers.

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Carpenter is one of the most prominent film directors in the horror genre, along with other greats such as David Cronenberg and Wes Craven. During the 1970s and 1980s he cemented his legacy with films that achieved notable box office successes such as The Fog. 69% (1980) and Starman – 80% (1984). Other significant titles include 1997: Escape from New York – 84% (1981), The Thing from Another World – 80% (1982) and They Survive – 83% (1987). Carpenter has been awarded 22 awards throughout his career, including the Saturn and recognition at festivals such as Cannes and Sitges.

His passion for cinema began in his childhood and, in 1969, he made a short film titled Captain Voyeur during a course at USC Cinema. Later, she would collaborate on The Resurrection of Broncho Billy (1970), which won the Oscar for best short film. In addition to his work as a director and screenwriter, he is recognized for composing the soundtracks for his films, primarily using synthesizers and an atmospheric style, although he has also collaborated with other notable composers such as Ennio Morricone.

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At the legacy level, many of his works have been republished and valued in retrospect, being Halloween selected by the US Library of Congress as “culturally significant.” Additionally, she has been the subject of documentaries and retrospectives that highlight her contribution to cinema. Her filmography ranges from short films to iconic films, and her impact on horror cinema is indisputable.

In interview with Los Angeles Times Carpenter was questioned about The Exorcist: Believers and the negative reception it has had, and stated:

I like what David did when he made the Halloween three. I loved number 2. I thought it was fabulous. I heard The Exorcist didn’t really make it. It could be a spectacular movie. I don’t understand how you can screw that up.

The failure of The Exorcist: Believers

The Exorcist: Believers, produced by Blumhouse, marks the first installment since Universal acquired the rights to the saga for US $400 million in 2021. This purchase included rights to three films, streaming on Peacock and theme park attractions. However, its box office performance over the weekend of October 6-8 was lower than expected, grossing US$26.5 million at the local box office, compared to expectations of US$30-$35 million. Globally it only totaled US $44.2 million.

The producer Jason Blum He mentioned that this is his most risky production, and despite having Ellen Burstyn, who returned to the saga for the first time since 1973, it did not reach the expected numbers. The reviews did not help, and with events like Taylor Swift’s concert, a quick release from theaters is expected. Although Universal remains committed to two more sequels, creative changes are anticipated. The first, Deceiverwill be released in 2025 and may not have the director David Gordon Green.

The original film of The Exorcist – 1973’s 87%, directed by William Friedkin, is an icon of horror cinema, raising the standard of the genre and leaving an indelible mark on popular culture. It won critical, box office and awards recognition, demonstrating the powerful emotional impact of well-executed horror films.

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